The museum openss with a single, large room of altarpieces. This is a genre I have always enjoyed, and I think my jaw dropped in awe several times. Here are a few from that gallery:
I particularly admired the fellow on the right, here's a close-up:
Then the Virgin with a lively baby:
and a lively angel delivering the Annunciation
My favorite Annunciation had a large and lively angel descending to deliver the message to Mary cowering in a corner, a sensible reaction to the event, I think, but it didn't photograph well.
Away from the altarpieces, the paintings became huge in scale and in size, incredibly complex--
and glorious. Another, too large to capture cleanly on my camera, showed a similarly complex scene with the Last Supper tucked into the hustle and bustle of Venice, relating the event and all its meanings to their own time and place.
It was an art-full morning as I visited St Mark's Basilica. I hadn't remembered it so dark inside, though the mosaics were striking. No photos allowed there, but on the balcony overlooking the expansive piazza, the world stretches on:
















No comments:
Post a Comment